Alexis Joseph Mazerolle (1826-1889) The Harvest oil on canvas circa 1850-1860<\/b><\/p>\n
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Alexis Joseph Mazerolle enjoyed great renown thanks to the quality of his work, and received a large number of prestigious commissions, making him a highly appreciated painter among collectors and art lovers.<\/p>\n
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A fine painting signed lower left by Alexis Joseph Mazerolle, depicting a harvest scene with a realistic vision of country life in the mid-19th century.<\/p>\n
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Sizes unframed: \u00a0 H 12.99 Inches. - W 17.32 Inches.<\/p>\n
Sizes with frame:\u00a0 H 19.68 Inches. - W 24.01 Inches.<\/p>\n
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In fine original condition.<\/p>\n
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Alexis-Joseph Mazerolle, born in Paris on June 29, 1826, and died in the same city on May 29, 1889, was a French painter.<\/p>\n
After entering the Beaux-Arts in 1843, he began designing tapestries and turned to decorative art. He was awarded several medals at the Salon, where he exhibited regularly from 1847 onwards. In the 1860s, he made a name for himself and began an important design career, which lasted until his death. He received commissions for the Conservatoire, the Th\u00e9\u00e2tre de Vaudeville, the Monnaie de Bruxelles, the Op\u00e9ra Garnier, and the Com\u00e9die Fran\u00e7aise, for which he painted a ceiling that earned him the rank of Officier de la L\u00e9gion d'honneur. He was also commissioned by private clients, such as the Duc d'Aumale and singer Rosine Stoltz. His last project, for the Bourse de Commerce, was interrupted by his death in 1889.<\/p>\n
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1847\u00a0: La Vieille et les deux servantes, premi\u00e8re \u0153uvre pr\u00e9sent\u00e9e au Salon.<\/p>\n
1857\u00a0: Chilp\u00e9ric et Fr\u00e9d\u00e9gonde devant le cadavre de Glaswinthe, m\u00e9daille de 3e classe au Salon.<\/p>\n
1857\u00a0: Les Dormeuses, m\u00e9daille de 3e classe au Salon.<\/p>\n
1858\u00a0: Vase de fleurs, ensemble de quatre tableaux pour l’h\u00f4tel du duc d\u2019Aumale, Chantilly, Mus\u00e9e Cond\u00e9.<\/p>\n
1859\u00a0: L’Opium, Rouen, Mus\u00e9e des Beaux-Arts.<\/p>\n
1859\u00a0: N\u00e9ron et Locuste essayant des poisons sur un esclave, m\u00e9daille de 3e classe au Salon7. Esquisse conserv\u00e9e au Mus\u00e9e des Beaux-Arts de Lille.<\/p>\n
1859\u00a0: Quiqui Charlotte, Compi\u00e8gne, Ch\u00e2teau de Compi\u00e8gne.<\/p>\n
1861\u00a0: \u00c9ponine implorant la gr\u00e2ce du Gaulois Sabinus, Roubaix, La Piscine, d\u00e9p\u00f4t au Mus\u00e9e du Louvre. M\u00e9daille de 3e classe au Salon.<\/p>\n
1876 et 1888\u00a0: tapisserie d’apr\u00e8s La Filleule des f\u00e9es, Saint-P\u00e9tersbourg, Mus\u00e9e de l\u2019H\u00e9ritage. Cette tapisserie est montr\u00e9e \u00e0 l’Exposition universelle de 1889.<\/p>\n
1882\u00a0: V\u00e9nus Marine, F\u00e9d\u00e9ration nationale Andr\u00e9 Maginot.<\/p>\n
1887\u00a0: Psych\u00e9 \u00e0 la source, Buenos Aires, Mus\u00e9e des Beaux-Arts.<\/p>\n
V\u00e9nus et l’Amour.<\/p>\n
Diog\u00e8ne cherchant un homme.<\/p>\n
Les Agapes, Saint-Louis, Mildred Lane Kemper Art Museum Art Museum (En).<\/p>\n
Le Triomphe de Bacchus, Paris, Petit Palais.<\/p>\n
Louis et Fernand, portrait de ses deux fils, Strasbourg, Mus\u00e9e des Beaux-Arts.<\/p>\n
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Vers 1860\u00a0: ensemble de panneaux religieux pour la chambre \u00e0 coucher de la cantatrice Rosine Stoltz, aujourd’hui conserv\u00e9s au Mus\u00e9e de l\u2019Oise : \u00c9li\u00e9zer et Rebecca, Agar et Isma\u00ebl, Judith et Holopherne. Ruth et Booz. Adam et \u00c8ve. L’apparition des trois anges \u00e0 Abraham. Mo\u00efse sauv\u00e9 des eaux.<\/p>\n
1870\u00a0: L’Amour et Psych\u00e9, plafond.<\/p>\n
Vers 1870\u00a0: Le Vin et Les Fruits, La Chasse et La P\u00eache, La P\u00e2tisserie et Les Glaces, Le Th\u00e9 et Le Caf\u00e9, tapisseries pour la Rotonde du Glacier de l\u2019Op\u00e9ra Garnier.<\/p>\n
1879\u00a0: La France couronnant Moli\u00e8re, Corneille et Racine, plafond de la Com\u00e9die Fran\u00e7aise, d\u00e9truit dans un incendie en 1900. Une gouache pr\u00e9paratoire est conserv\u00e9e.<\/p>\n
1889\u00a0: panneaux d\u00e9coratifs pour la rotonde de la Bourse de Commerce.<\/p>\n
Deux panneaux d\u00e9coratifs pour le duc d’Aumale\u00a0: Minerve et Neptune se disputent l’honneur de nommer la ville d’Ath\u00e8nes. Vulcain donne \u00e0 V\u00e9nus les armes qu’il a forg\u00e9es pour \u00c9n\u00e9e.<\/p>\n
Neuf Muses, panneaux d\u00e9coratifs pour la sc\u00e8ne du Conservatoire.<\/p>\n
Coupole du th\u00e9\u00e2tre de Baden-Baden.<\/p>\n
Plafond du foyer du th\u00e9\u00e2tre d’Angers.<\/p>\n
D\u00e9coration du Pavillon Ledoyen.<\/p>\n
D\u00e9coration de l\u2019H\u00f4tel Intercontinental.<\/p>","protected":false},"excerpt":{"rendered":"
Alexis Joseph Mazerolle (1826-1889) Les vendanges huile sur toile vers 1850-1860 Alexis Joseph Mazerolle, jouit \u00e0 son \u00e9poque d\u2019une grande notori\u00e9t\u00e9 d\u00fb \u00e0 la qualit\u00e9 de son \u0153uvre, cela lui vaudra un grand nombre de commandes prestigieuses, un peintre tr\u00e8s recherch\u00e9 par les collectionneurs et amateurs d\u2019Art. Un beau tableau sign\u00e9 en bas […]<\/p>\n","protected":false},"author":4,"featured_media":2190,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-2189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cate"],"yoast_head":"\n